The Key

Photo Credit: Sue Vincent

 

Practically everyone but the real-estate agent had been against him purchasing the place.

“That heap of rot is a death trap,” his friend Tomas had said.

“It is haunted,” Fran had shuddered. “You’ll get murdered in your sleep and become another ghost, just like them.”

Others hadn’t been much subtler:

“The place is a wreck!”

“This monster will eat up all your money and spit you out broke and homeless.”

“Are you out of your effing mind?”

“Gosh, Dude, you need a shrink!”

To be fair, the last two statements were probably true. … Not that this stopped him from finding ways to manage all these years without a shrink. Not that there weren’t times during the first year in the house, when the old thing seemed intent on falling about his ears and his bank account skied a Black Diamond toward zero, when he didn’t wonder whether his mental health was sliding south just as precipitously.

But he’d held on to his bootstraps and soldiered on. In part to not lose face but mostly because he had indeed sank so much of his limited assets into the house that there was no way out but through. He gave up his rental apartment in town and erected a tent in the middle of the mansion’s living room where the roof leaked the least. He uncovered the well and hauled out buckets of muck before clean water once more found purchase. He cleared paths through the overgrown hedges and the man-height weeds that overtook what had been a lawn around the house. He scraped moss and mold off of stone walls. He evicted pigeons, rats, squirrels, countless spiders, and a skunk that made sure her discontent lingered. He discovered woodwork under paint, a carved gate under briars, a clubfoot tub under rubble, and a door to a hidden passageway behind a rotting cabinet.

Here and there a friend would agree to help with this or that, and twice he’d hired someone with engine-muscle to lug out things that needed more than human-power. But most his friends couldn’t help (and some refused to ‘enable’ what they declared an insanity), and hiring anyone ate big bites out of a budget that wasn’t hefty to begin with. So he buckled down and did much of the work himself, making small but steady dents in a mountain he did not think would ever yield to order. The list of things left to do only kept growing: parts of the roof needed repair, the kitchen floor needed replacing, the electric lines were too ancient to hold power, the pipes leaked, and the sewers were more roots than flow. The work was Sisyphean.

And still … between moments of sheer desolation and utter despair, he realized that he was actually sleeping soundly for the first time in his life. A smile would sneak onto his lips as he sanded this or patched up that or cleared another mess of spider webs or thickets. He hummed an ear-worm for a whole weekend and no one shushed him for not being able to carry a tune.

It was as if he’d accepted the house and its flaws, and the house in return had accepted him. He felt happy. He felt at home.

The realization stunned him.

Though he wouldn’t have been able to articulate it at the time, he came to understand that the reason he had been drawn to purchasing a run-down estate with overgrown grounds in the middle of a god-forsaken forest, was in part because of memories of another building surrounded by a tall stone fence: the “Home” that never truly was one and yet had been the only model he’d had.

He’d accumulated more moments of abject misery in the “Home” than he ever wanted to recall. Countless nights yearning to be old enough to leave … even as he’d feared the day he would be made to do so.

This long-neglected house with its aged stone fence and beautiful wide gate, was his. No one could tell him he’d aged out and could not stay. No one could tell him that his bed is needed to make room for someone else, or that it was time for him to fend for himself and no longer rely on the charity of others to feed and clothe and put a roof over his head.

It didn’t matter that the repairs would take years and that most of the rooms would not be usable for just as long. It didn’t matter that he didn’t have a clear plan for what he’d use all these rooms for. What mattered was that this old place was real. That it was full of history and memory. That it stood firm onto the ground and offered to be the roots he’d otherwise have no way to lay claim to. This house was him. Healing it was the key to who he could become.

 

 

For Sue Vincent’s Write Photo prompt invitation

 

When You Do

wedding1 SmadarHalperinEpshtein (2)

Photo via Smadar Halperin-Epshtein

 

In the moments when your eyes

Meet

Under canopies of cloth

Or sun

Or stars,

And the world recedes to

Nothing but

Who the both of you

Are,

When your

Union

Seals with

Promise

Ringed with hopes and tender

Kiss,

May you both know

That you do

And that your love

Can nurture

Bliss.

 

 

For Cee’s Black & White Photo Challenge: Tender moments

 

 

Merry-Go-Round

Photo prompt © Jean L. Hays

 

“Used to be a zoo,” Ol’ Joe stuffed his cheek full of chewing tobacco. No frowning from Mama could make him give it up.

I gazed at the empty parking lot. We kept the market open by sheer willpower and another mortgage.

Mama often argued it was money down the drain, but Pops would shake his head. “History is a merry-go-round, Penny. It’ll come back. We just have to hang in there a little longer.”

Then the two of them would look at Ol’ Joe, and I knew: closing the business would kill him. Grandpop’s life was tied into Route 66.

 

 

For Rochelle’s Friday Fictioneers

 

Layer By Layer

layered trek OsnatHalperinBarlev

Photo: Osnat Halperin-Barlev

 

Layer by layer

They go back

In time,

Descending through eras

They can carefully

Climb.

What whispers

What stories

Does the wadi

Impart?

Will their souls see

The footprints

These rocks know

By heart?

 

For the Tuesday Photo Challenge: Layer

 

The Perfect Shoes

20190224Photo Courtesy of Susan Spaulding

 

She came across them at the thrift store, squashed in a box along with moth-eaten scarves, a pair of slacks with holes that could tell many stories, two helplessly dented hats, and some fabric scraps.

She was about to lift a shoe to ask about the price when the proprietor glanced in her direction. “Those are by the box,” he drawled. “Take it or leave it. No picking.”

“How much?” She swished her hand inside the box and shrugged, worrying he’d overcharge her if he detected interest.

“Thirty.”

Her eyebrows hiked up on their own accord. The shoes alone were worth ten times as much.

“Twenty, final offer,” he misinterpreted her gesture.

She gazed into nearby containers till her thrumming heart settled down and she could pour something less jello-like into her legs.

“I’ll take it.”

She carried the box to the car fully expecting to hear the shopkeeper’s voice calling her back to point out a mistake. No call came.

Finally at home, she rescued the shoes, stuffed them with tissue-paper, and placed them reverently under Great-Great-Grandma’s bridal gown. Family lore was that she’d had big feet and had to wear men’s shoes. Those were a perfect match.

 

 

For Susan’s Sunday Photo Fiction

 

Fly By

fly by moon OfirAsif

Photo: Ofir Asif

 

Fly by

The moon

And kiss a new star

Goodnight.

 

Fly by

The sun

And let its light touch

Your mind.

 

Fly by

In play

To draw a blue skies

Outlined.

 

Fly high

Today

And know I’m not far

Behind.

 

 

For the Sunday Stills challenge: High flight

 

 

First Summit

himalayas-407_1920

Photo: Simon on Pixabay

 

He grew up in the shadow of Sagarmatha, where people’s moods shifted with Miyolangsangma’s and with the weather on the mountain foreigners insisted on calling “Everest.”

“Sagarmatha is her palace,” Dādā warned. “The uninvited should not trespass into the realm of the Goddess of Inexhaustible Giving. She turns many back. Some die.”

Most in the village agreed, and still they sent men to guide foreigners to the summit. Faith did not pay for necessities, while the visitors, eager if unequipped for the altitude and Miyolangsangma’s moods, paid well. Surely the Goddess understood.

“Foreigners are ignorant,” the old man argued. “But you know better than to show irreverence.”

He did know better. But Dādā needed medicine.

“I’ll stop by Rongbuk Monastery,” Garvesh proffered on the eve of his first ascent. “I will get the monks’ blessing.”

“It will not stop Karma,” his grandfather sighed. “Or what may be our last goodbye.”

∞ ∞ ∞

Trivia and Glossary:

  • Dādā — Grandfather in Nepali.
  • Sagarmatha — The Nepali name for Mount Everest. The Sherpa people believe that the mountain and its flanks are imbued with spiritual energy, and one should show reverence when passing through this sacred landscape, where the karmic effects of one’s actions are magnified.
  • Miyolangsangma — The “Goddess of Inexhaustible Giving” is a Tibetan Buddhist Goddess who Sherpa Buddhist Monks believe had lived at the top of the mountain.
  • Rongbuk Monastery — Also called the “sacred threshold to the mountain” is an important pilgrimage site for Sherpas who live on the slopes of Everest in the Khumbu region of Nepal.
  • Sherpa — One of the major ethnic groups native to the most mountainous regions of Nepal (as well as certain areas of China, Bhutan, India, and the Himalayas). The term sherpa or sherwa derives from the Sherpa language words Shar (“east”) and Wa (“people”), which refer to their geographical origin in Tibet.

 

For What Pegman Saw: Mount Everest, Nepal

 

 

The Critic

silhouette of a man in window

Photo by D. Tong on Pexels.com

 

It was his job to be the critic.

He’d taken it on when he was but a child and there was naught by chaos all around him.

Criticizing was a way to put some order into madness, to have at least the illusion of control.

Not that he’d criticize them openly and risk the switch or belt or backhand or the things that were … well … worse.

But criticize he did.

Mostly himself.

At first as practice.

Then as habit.

Then as something he would do without even a pause to think.

Offer a knifing critic.

Of his actions. Of his wishes. Of his hopes. His thoughts. His dreams.

What had began as coping, turned a prison.

And the jailer was inside him.

The sentencing, his own.

 

 

 

For the SoCS Saturday Challenge: Critic(al)