Layer By Layer

layered trek OsnatHalperinBarlev

Photo: Osnat Halperin-Barlev

 

Layer by layer

They go back

In time,

Descending through eras

They can carefully

Climb.

What whispers

What stories

Does the wadi

Impart?

Will their souls see

The footprints

These rocks know

By heart?

 

For the Tuesday Photo Challenge: Layer

 

The Perfect Shoes

20190224Photo Courtesy of Susan Spaulding

 

She came across them at the thrift store, squashed in a box along with moth-eaten scarves, a pair of slacks with holes that could tell many stories, two helplessly dented hats, and some fabric scraps.

She was about to lift a shoe to ask about the price when the proprietor glanced in her direction. “Those are by the box,” he drawled. “Take it or leave it. No picking.”

“How much?” She swished her hand inside the box and shrugged, worrying he’d overcharge her if he detected interest.

“Thirty.”

Her eyebrows hiked up on their own accord. The shoes alone were worth ten times as much.

“Twenty, final offer,” he misinterpreted her gesture.

She gazed into nearby containers till her thrumming heart settled down and she could pour something less jello-like into her legs.

“I’ll take it.”

She carried the box to the car fully expecting to hear the shopkeeper’s voice calling her back to point out a mistake. No call came.

Finally at home, she rescued the shoes, stuffed them with tissue-paper, and placed them reverently under Great-Great-Grandma’s bridal gown. Family lore was that she’d had big feet and had to wear men’s shoes. Those were a perfect match.

 

 

For Susan’s Sunday Photo Fiction

 

First Summit

himalayas-407_1920

Photo: Simon on Pixabay

 

He grew up in the shadow of Sagarmatha, where people’s moods shifted with Miyolangsangma’s and with the weather on the mountain foreigners insisted on calling “Everest.”

“Sagarmatha is her palace,” Dādā warned. “The uninvited should not trespass into the realm of the Goddess of Inexhaustible Giving. She turns many back. Some die.”

Most in the village agreed, and still they sent men to guide foreigners to the summit. Faith did not pay for necessities, while the visitors, eager if unequipped for the altitude and Miyolangsangma’s moods, paid well. Surely the Goddess understood.

“Foreigners are ignorant,” the old man argued. “But you know better than to show irreverence.”

He did know better. But Dādā needed medicine.

“I’ll stop by Rongbuk Monastery,” Garvesh proffered on the eve of his first ascent. “I will get the monks’ blessing.”

“It will not stop Karma,” his grandfather sighed. “Or what may be our last goodbye.”

∞ ∞ ∞

Trivia and Glossary:

  • Dādā — Grandfather in Nepali.
  • Sagarmatha — The Nepali name for Mount Everest. The Sherpa people believe that the mountain and its flanks are imbued with spiritual energy, and one should show reverence when passing through this sacred landscape, where the karmic effects of one’s actions are magnified.
  • Miyolangsangma — The “Goddess of Inexhaustible Giving” is a Tibetan Buddhist Goddess who Sherpa Buddhist Monks believe had lived at the top of the mountain.
  • Rongbuk Monastery — Also called the “sacred threshold to the mountain” is an important pilgrimage site for Sherpas who live on the slopes of Everest in the Khumbu region of Nepal.
  • Sherpa — One of the major ethnic groups native to the most mountainous regions of Nepal (as well as certain areas of China, Bhutan, India, and the Himalayas). The term sherpa or sherwa derives from the Sherpa language words Shar (“east”) and Wa (“people”), which refer to their geographical origin in Tibet.

 

For What Pegman Saw: Mount Everest, Nepal

 

 

The Critic

silhouette of a man in window

Photo by D. Tong on Pexels.com

 

It was his job to be the critic.

He’d taken it on when he was but a child and there was naught by chaos all around him.

Criticizing was a way to put some order into madness, to have at least the illusion of control.

Not that he’d criticize them openly and risk the switch or belt or backhand or the things that were … well … worse.

But criticize he did.

Mostly himself.

At first as practice.

Then as habit.

Then as something he would do without even a pause to think.

Offer a knifing critic.

Of his actions. Of his wishes. Of his hopes. His thoughts. His dreams.

What had began as coping, turned a prison.

And the jailer was inside him.

The sentencing, his own.

 

 

 

For the SoCS Saturday Challenge: Critic(al)

 

In A While

May flowers2 NaamaYehuda

Photo: Na’ama Yehuda

 

In a while

There will be all colors

Of the rainbow

And then some

More.

 

In a while

There will be radiant

Greens and sunny yellows

And all the different

Shades of

Purple

To show.

 

In a while

The monochrome of winter

Will make way for

Brightly colored

Spring

To make eyes and hearts

Glow.

 

 

For the Wits-End Weekly Photo Challenge: Bright Colors

The Pillar

Photo: Sue Vincent

 

The youngsters always met by The Pillar.

Their parents had. Their grandparents had, and the great-grands before that and on and on till time before time. It was a rite of passage of sort. A congregation-point for those just past the threshold from children to adults.

There was no timetable for how long it was before a set of youths made way for those younger still. Yet the time never seemed to be very long, no matter the outward circumstances.

In olden times such changeover was marked by many youths’ marrying shortly after adult bodies and responsibilities were taken on, as it was believed that matrimony was the lead to sensibilities. Any youths lagging behind in house-making would soon enough stop visiting The Pillar anyway, perhaps as it would feel unseemly for them to be seen hobnobbing with total greenhorns to the adult world.

In modern times, with childhoods that stretched well beyond the bounds any elder would consider reasonable, and with less children in town to nip at the heels of those frequenting The Pillar, youths nonetheless rarely mingled by it for much longer than they would’ve in the past. Just their chronological age had shifted some, from puberty to closer to the end of high-school.

Looking back, few could tell exactly what about The Pillar had drawn them to the location. Sure, the isolation allowed for some actions full-fledged adults would likely frown on (though they’d done the same — and sometimes worse — themselves), but there were plenty other isolated places to find privacy in. Blustery in winter and mosquito-swarmed by summer, the field where The Pillar stood was not exactly the height of comfort. Still by tradition or something more, the youth were drawn to it like moths to light.

It was the fairies, some whispered, magic of the Fair Folk, conjured so they could feed upon the newly discovered energies of youth, necessary to the Fairies’ sustained immortality. Others pooh-poohed the folklore, perhaps unnerved by the notion that anything but their own will had caused them to view as irresistible what later on looked quite the dreary spot.

“It was just the adventure,” the latter would grumble. “Every child in town grew up dreaming of being old enough to go to The Pillar. Of course we wanted to finally do so.”

Still they could not explain what had made them suddenly wish to visit it. Or why it had just as suddenly lost its charm.

When pressed, they’d shrug that “it’s been there as long as anyone remembers.” As if that was explanation enough.

Lore or not, the youngsters always met by The Pillar.

And there The Pillar stood. Slanted by age or forces beyond comprehension. Till another age of the earth would come.

 

 

For Sue’s Thursday Photo Prompt: Timeless