
Photo: Philip Coons
Hitch the horses to the carriage,
Pack the trunk
(Or wagon) full.
There’s a lot yet to discover,
As we hit the road.
Now pull!
For the Tuesday Photo Challenge: Road

Photo: Philip Coons
Hitch the horses to the carriage,
Pack the trunk
(Or wagon) full.
There’s a lot yet to discover,
As we hit the road.
Now pull!
For the Tuesday Photo Challenge: Road

Photo: Amitai Asif
You’ve seen nations
Rise
And fall,
Felt oil
Extracted
From trees’ toil.
You’ve seen
The farmers
Tend the soil,
Bread dipped
To nourish
Heart and soul,
As children laughed
And played
And lived
And died
Through centuries of
War and spoil,
While you remained
Above the boil,
Till peace returns
For olives’ roil.
Note: The photo is of an ancient base stone (called “Yam” in Hebrew) of the grinding stones that are used for the first step of extracting oil from olives. A current-day olive grove can be seen in the background to the left. Olives were first domesticated about 6,000 years ago, likely in the Mediterranean basin. Documented history of deliberate oil pressing can be found as early as 4,500 years ago (around 2,500BCE).
To this day, making olive oil involves several stages of crushing and rinsing to extract the oil. In many places, olives are still harvested by hand or by beating the fruit off of the trees. The olives are then washed, and crushed by milling stones (traditionally between a bottom stone like the one in the photo and one or two mill stone that stand perpendicular to it and roll around the base stone). The millstone/s were historically moved by use of man-power or animal power, and in some places still are. The pulp is placed in woven bags or baskets, then the baskets themselves are pressed. The liquid from the press bags gets drawn into a reservoir where oil is left to settle and separate. Oil is then skimmed off and allowed to settle again, sometimes repeatedly, to remove impurities.
For the Tuesday Photo Challenge: Ancient

Photo: Na’ama Yehuda
Stories tell
Please
Old tower,
Of the people who crept
Up your stairs
In all hours
To ring bells,
To escape.
Set amidst the new
Buildings
You house
Hope,
But no bells,
As you still welcome
Whomever
Needs a moment
To gape.
For the Tuesday Photo Challenge: Tower

Photo: Ofir Asif
Wider than the wildest view
It spans
The soul
To draw in breath
And nourish you.
For Frank’s Tuesday Photo Challenge: Vista

Photo: Amitai Asif
The long night arrives
Wrapped in ends
Of dreams
And threads of hopes.
A tapestry
Of what may come
Therein,
As unfettered souls
Are finally free
To roam
Within.
Where darkness
Becomes its own
Light,
That holds
No more an actual
Night.
Note: The photo depicts an ancient burial cave in Israel
For the Tuesday Photo Challenge: Night

Photo: Smadar Halperin-Epshtein
It went up.
It went down.
It went all the slow way
Around.
It’s no more
Nor the store
But it sure was
There
Before.
For the Tuesday Photo Challenge: Wheel

Photo: Smadar Halperin-Epshtein
Don’t be fooled,
It is in service
And it is blessed
By the Gods.
It will move
In a moment,
And carry all
In its hold.
In modern days
Muddy tires
Let legs be rested
Aboard.
No one here
Takes for granted
Improvement
Since days of old.
For the Tuesday Photo Challenge: Technology

Photo: Ofir Asif
Like a rickety bridge
Over fast,
Troubled water,
Calm your heart
As you cross
To what awaits
Being told.
Trust connections
You fear but
Cannot test or
Strengthen,
With no promise
They won’t pull away,
Break,
Or fold.
Like a rickety bridge
Over fast,
Troubled water,
Take a chance,
Make a step,
And weave new paths
To your old.
For the Tuesday Photo Challenge: Connections

Photo: Chagit Moriah-Gibor
Roll the dough
And aim to shape it.
Press chocolate pieces
One by one.
‘Tis no product of
Machine identical,
But cookies proud
Of a child’s hand.
For the Tuesday Photo Challenge: Roll

Photo: Smadar Halperin-Epshtein
When the push
Comes to shove
And a full stop
Recommended,
Put a rock
‘Hind to lock
So any roll
Is suspended.
For the Tuesday Photo Challenge: Roll
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