Accommodating

Cuba11 InbarAsi

Photo: Cuba, Inbar Asif

 

My immediate association to today’s word prompt of “Elastic ” was about the dire need for more flexibility. How important it is we be able to curl our mind around the bend of preconception so we can appreciate beyond “our idea of beautiful” or “our opinion of correctness.” It’s become fashionable to be rigidly unyielding, to confront instead of listen, to seek conformity instead of be accommodating.

As if acceptability lives by a single yardstick and Photoshop.

We cover over imperfections. We discard or deny any marring exists. We seek the shiny new. People get judged more by their circumstance of birth than by how pliable their hearts are or how truly resilient they have proven to be in holding on to kindness even in the face of oh-so-much that wasn’t.

As I wrote this a notification appeared for Steve McCurry’s post about the “Art of Imperfection” and the power of Wabi-Sabi — the Japanese practice of finding harmony and beauty in what is simple, natural, and modest, where transience and imperfection are part of the aesthetic. How perfectly apt.

Here’s to beauty in the marred.

 

 

 

For The Daily Post

Encircle

Confrence table InbarAsif

Photo: Inbar Asif

 

How much will it help

If we can

Get ourselves out of our own corners,

Out of righteous

Stiffened chins

For right or wrong?

Maybe round out those

Hardened edges

So we no longer must

Contrast

One side

With another,

Or need to confront

A person’s sigh

With slight or fault.

Can we

Perhaps

Find common ground

In what may be beyond

All argument:

If we rotate

Long enough

Around a circle

We will eventually

See

More than

Our current

Vantage point.

 

 

For The Daily Post

Re-Cornered

Upsidedown house SmadarHalperinEpshtein

Photo: Smadar Halperin-Epshtein

 

I love this photo of an upside down house in Europe for its genius and exactness, but also for how it challenges our orientation and leads almost everyone to tilt their head ‘to see it better.’ Are the corners of the ‘roof’ still peaks of gables, or do they now make the bottoms of “V”s? If you look out from these windows, will the world itself be upended? How do we define up from down, right from wrong, vision from illusion? How cemented are our views about what is and what could be? Are we willing to paint ourselves out of the corners of our mind where we’d comfortably assumed we knew all that was to know, only to realize a whole world still awaits in readiness to shake our understanding?

 

 

For The Photo Challenge