
Photo: Na’ama Yehuda
Sometimes I know
The pace of
Tardy,
Slow but
Stubborn,
Will outwit
My best laid plans.
Goalposts redrawn.
For The Daily Post
Photo: Na’ama Yehuda
Sometimes I know
The pace of
Tardy,
Slow but
Stubborn,
Will outwit
My best laid plans.
Goalposts redrawn.
For The Daily Post
Photo: Cuba, Inbar Asif
My immediate association to today’s word prompt of “Elastic ” was about the dire need for more flexibility. How important it is we be able to curl our mind around the bend of preconception so we can appreciate beyond “our idea of beautiful” or “our opinion of correctness.” It’s become fashionable to be rigidly unyielding, to confront instead of listen, to seek conformity instead of be accommodating.
As if acceptability lives by a single yardstick and Photoshop.
We cover over imperfections. We discard or deny any marring exists. We seek the shiny new. People get judged more by their circumstance of birth than by how pliable their hearts are or how truly resilient they have proven to be in holding on to kindness even in the face of oh-so-much that wasn’t.
As I wrote this a notification appeared for Steve McCurry’s post about the “Art of Imperfection” and the power of Wabi-Sabi — the Japanese practice of finding harmony and beauty in what is simple, natural, and modest, where transience and imperfection are part of the aesthetic. How perfectly apt.
Here’s to beauty in the marred.
For The Daily Post
Photo: Inbar Asif
How much will it help
If we can
Get ourselves out of our own corners,
Out of righteous
Stiffened chins
For right or wrong?
Maybe round out those
Hardened edges
So we no longer must
Contrast
One side
With another,
Or need to confront
A person’s sigh
With slight or fault.
Can we
Perhaps
Find common ground
In what may be beyond
All argument:
If we rotate
Long enough
Around a circle
We will eventually
See
More than
Our current
Vantage point.
For The Daily Post
Photo: Smadar Halperin-Epshtein
I love this photo of an upside down house in Europe for its genius and exactness, but also for how it challenges our orientation and leads almost everyone to tilt their head ‘to see it better.’ Are the corners of the ‘roof’ still peaks of gables, or do they now make the bottoms of “V”s? If you look out from these windows, will the world itself be upended? How do we define up from down, right from wrong, vision from illusion? How cemented are our views about what is and what could be? Are we willing to paint ourselves out of the corners of our mind where we’d comfortably assumed we knew all that was to know, only to realize a whole world still awaits in readiness to shake our understanding?
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